Download Ebook Translations: A Play (Faber Drama), by Brian Friel

Download Ebook Translations: A Play (Faber Drama), by Brian Friel

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Translations: A Play (Faber Drama), by Brian Friel

Translations: A Play (Faber Drama), by Brian Friel


Translations: A Play (Faber Drama), by Brian Friel


Download Ebook Translations: A Play (Faber Drama), by Brian Friel

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Translations: A Play (Faber Drama), by Brian Friel

Review

“Translations is a modern classic. It engages the intellect as well as the heart, and achieves a profound political and philosophical resonance through the detailed examination of individual lives, of particular people in particular place and time.” ―Daily Telegraph“This is Brian Friel's finest play, his most deeply thought and felt, the most deeply involved with Ireland but also the most universal: haunting and hard, lyrical and erudite, bitter and forgiving, both praise and lament.” ―Sunday Times

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About the Author

Brian Friel was born in Omagh, County Tyrone (Northern Ireland) in 1929. He received his college education in Derry, Maynooth and Belfast and taught at various schools in and around Derry from 1950 to 1960. He is the author of many plays that have taken their place in the canon of Irish Literature, including Philadelphia, Here I Come! (1964), Lovers (1967), Translations (1980), The Communication Cord (1982), and Dancing at Lughnasa (1990). In 1980 he founded the touring theatre company, Field Day, with Stephen Rea.

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Product details

Series: Faber Drama

Paperback: 112 pages

Publisher: Farrar, Straus and Giroux (March 16, 1995)

Language: English

ISBN-10: 9780571117420

ISBN-13: 978-0571117420

ASIN: 0571117422

Product Dimensions:

5.1 x 0.3 x 7.7 inches

Shipping Weight: 3.4 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#171,345 in Books (See Top 100 in Books)

an eloquent, moving play about the love of one's native language (Irish) and the plight of lost languages (Latin, ancient Greek, and so on). Of course, it was written after the largely successful revival of the Irish language. There's your delayed "happy ending." (It's not the same, though, not by a long shot.)the nice thing about friel's play is that he conveys the machine of colonialism with the appropriate complexity--it isn't "bad Englishman, good Irishman," but something much more complex. sometimes people like Owen, unwittingly or not, sell out their own. Sometimes others, for example the English soldier here, are part of the colonial apparatus, but not consciously or intentionally--and such people may end up being the colonized culture's greatest champions.I liked it better than Dancing at Lughnasa. It reads well--and a lot of plays don't.

One of Friel's masterpieces

A deeply perceptive view of the colonists and the colonised. Yolland''S honesty and Hugh' S lucid and painful acknowledgement of the future of his country are sadly brilliant

Great product and service, thanks.

Print to small to read. Pages discolored.

Well done picture of British/Irish history

just as advertised and quick shipping

This book was one that I was forced to read in Literature, but I had already seen the play performed live the previous year. It's a great text, one which I felt really captured the Irish identity. Friel examines the meanings behind names, and takes a post-colonial view at the history of his own country, and thereby makes comments about the conflict erupting in Ireland at the time he wrote the play in the 1980s.

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