Free Download The Popol Vuh (Seedbank), by Michael Bazzett
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The Popol Vuh (Seedbank), by Michael Bazzett
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Review
Praise for The Popol Vuh “For nonscholars, the first test of any translation is simply whether it’s pleasurable to read, and Bazzett’s limpid, smoothly paced version is more than satisfying on that score. And it’s a good thing to be reminded, perhaps especially now, and perhaps especially by a text originating in Guatemala, that “However many nations / live in the world today, / however many countless people, / they all had but one dawn.â€â€•New York Times, Best Poetry of 2018 "Mr. Bazzett's translation offers a welcome path into the power of The Popol Vuh as beautiful literature. . . . [his] arrangement and format give the work its own authentic-sounding rhythm and cadence, something that is lost a bit in the recent scholarly editions . . . Mr. Bazzett writes that his intent was to create a more accessible source for students, 'a version of the myth they could disappear into, a verse version that truly sang.' He has succeeded."―Wall Street Journal “[Bazzett’s] translation of The Popol Vuh is a superb demonstration of literary translation, and the book, as a whole―containing an authentic and transparent translator’s introduction, the creation epic itself, and a reader’s companion―should be incorporated into every literary translation program.â€â€•Literary Review “A creative and fascinating version that’s a pleasure to read: Michael Bazzett has made intriguing choices and invested a huge amount of work. The result is both poetic and―in many cases―moving.â€â€•Allen Christenson, Brigham Young University Praise for The Interrogation “Michael Bazzett’s staggering new collection, The Interrogation, is the record of a poet curious about, and in dialogue with, absolutely everything. If poems are buildings erected to house our wonder, then Bazzett has gifted us a metropolis―one teeming with life and endlessly hospitable to visitors. We are the beneficiaries of such good fortune, this generous making.â€â€•Kaveh Akbar “‘You don’t expect / our warmth / to be the thing / that obscures us,’ Michael Bazzett writes in a book that explores the limits of identity and definition. His work is a vivid reminder that imagination makes the world strange in order for us to see what we’ve forgotten or taken for granted. He’s a poet who’ll take you where no one else can.â€â€•Bob Hicok “The Interrogation reminds me that we always have the choice to revel in the striking strangeness of the world we live in, and that we do not have to accept anyone’s life at face value, especially our own. In this daringly disarming world built of wondrous and wondering words, cities have faces, moonlight is poured into aquariums, a man with no mouth speaks, mothers prank call their sons, and fire has many names. To read Michael Bazzett’s poems is to reach through the thick veil separating us from the most tender, timeless, and true parts of ourselves that we both dread and cherish.â€â€•Tarfia Faizullah “Michael Bazzett establishes himself as a keen questioner of the eye and ear; a poet fully able to construct and inhabit this world, and those beyond, through lush aural and visual engagement. With the lyrical dexterity and sonic authority of a master craftsman, Bazzett gleans epistemic truths from both natural and preternatural sources and delivers crisp, unforced poems of sheer beauty. Readers will find themselves rapt by Bazzett’s audacious and perfect storm of song, symbol, and earnest sight.â€â€•Airea D. Matthews “How special it is to read the record of Michael Bazzett’s keen looking and bizarro dreaming. I didn’t know I wanted poems about moles being comets or pubic hair performance artists, but I did. I needed this book. I needed to laugh and wonder and wince and gasp. I needed to see all this glorious seeing. You need this book too. You need to walk through Bazzett’s funhouse and let these mirrors do their alchemy on you.â€â€•Danez Smith Praise for You Must Remember This “Michael Bazzett’s poems keep pleasantly surprising me with their innocent brutality. I’m not sure I have any way to clearly describe this except to say that it is the sort of heart stopping honesty about humanity we see in work like Donald Barthelme’s ‘The School’ or Toni Cade Bambara’s ‘The Lesson.’ Both of these are short stories, I understand, but I’m okay with that because Bazzett’s talky, lyrically twisted narratives seems to ride the same sort of line between story and poem that we see in Borges and chunks of Calvino.â€â€•Camille Dungy, The Rumpus “You Must Remember This is a book of unnerving wonders, one in which improbable events are narrated with strange intimacy, lucidity, and sly wit. But Michael Bazzett is much more than a writer of imaginative narratives. Somewhere beneath the surfaces of these wild and lovely poems, I hear the clashing of individual personality with popular myth. You Must Remember This is an amazing book, one that continues to whisper in my ear after I’ve put it down.â€â€•Kevin Prufer “Powered by the engine of the tricky dreaming mind, the poems in You Must Remember This are both hauntingly fable-like and delightfully idiosyncratic. Offering spectacular insight into the idea of longing for one’s own estranged self, Michael Bazzett’s poems are as tragic and unsettling as they are compelling and beautifully precise.â€â€•Ada Limón “A debut collection whose mercurial sensibility and loose-woven free verse place Michael Bazzett somewhere between Robert Hass and Patricia Lockwood. His pages stand out, amid so many other mildly quirky or eccentric first books, because their verse comes closer than most to presenting real people in his imagined world.â€â€•Publishers Weekly
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About the Author
Michael Bazzett is the author of The Interrogation; You Must Remember This, which received the 2014 Lindquist & Vennum Prize for Poetry; Our Lands Are Not So Different; and a chapbook, The Imaginary City. His poems have appeared in numerous publications, including Ploughshares, The Sun, Massachusetts Review, Pleiades, and Best New Poets. A longtime faculty member at The Blake School, Bazzett has received the Bechtel Prize from Teachers & Writers Collaborative and was a 2017 National Endowment for the Arts Fellow. He lives in Minneapolis. The Popol Vuh is a Mayan creation myth. Originally shared orally, and written down in the K’iche’ language in the sixteenth century, it was copied and translated by the Dominican friar Francisco Ximénez at the beginning of the eighteenth century.
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Product details
Series: Seedbank (Book 1)
Paperback: 312 pages
Publisher: Milkweed Editions (October 9, 2018)
Language: English
ISBN-10: 9781571314680
ISBN-13: 978-1571314680
ASIN: 1571314687
Product Dimensions:
5.5 x 0.8 x 8.5 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#62,632 in Books (See Top 100 in Books)
For a reader of Western epics, myths and creation stories, there is something disconcerting and almost surreal about reading The Popol Vuh. It is not as though the basic tropes of myth are not present: gods and men striving to wrest meanings out of a chaotic existence that will ultimately account for the universe in its cyclical rotations. It is rather that the names and the cultural references are off kilter for a reader of Western Myth in a way that make The Popol Vuh's world strange. This can be read in the smallish details, where characters have numbers without referent associated to their names such as Seven Macaw or One Hunahpu, in the sudden disruptions where characters or magic tools appear suddenly, and ultimately in the tragic-comic striving of gods and men to establish creation. One can almost read the connection between these ancient myths and the magic realism of Gabriel Garcia Marquez.The creation myth itself is one in three. The Framer and Shaper first demonstrate a clear omnipotence in their creation of the world. But then their initial act of speaking earth into existence is superseded by a series of false starts as they seek to create a being able to speak to them, as if the internal dialogue of divinity needs an Other to create meaning for creation. Instead of humans, they end up with animals and then wooden men in their first two attempts, only to finally make humans after the interlude of the story of the twin brothers Hunaphu and Xbalanque, the twin children of the daughter of death and One Hunahpu. These twin brothers must overcome death, but can only do so by dying. Through Hunahpu's death and resurrection, they overcome the tribe of death and establish the seasons and the cycles of the sun and moon, which they themselves become. Once their story is complete, the Framer and the Shaper return and humans can be made from the food produced through the cycles of life and death of an agrarian society.As a poet himself, Bazzett's translation of this story establishes a rhythm and cadence that he combines with a vivid language to make the work accessible and a joy to read. I highly recommend this book and this translation to anyone interested in myth and ancient literature. (less)
A wonderful read. This verse-in-translation is written in a way that allows the ancient spirit of this story to sing beautifully through modern language. Well-written; the introduction alone is captivating. Fans of mythic/mystic poetry will especially appreciate this book.
Although the thread is a little disjointed, the reader is prepared for it from the introduction. This is important and neglected literature!
I first read the Popol Vuh when I was a Spanish undergraduate at the University of Oregon. I remember being absolutely enchanted by it, as well as surprised that I had never heard of it before. I spent an entire semester digging into the details and context of the book, but that was over twenty years ago. I confess I had pretty much forgotten the Popol Vuh until a chance encounter gave me a reason to enjoy it again, and I’m so pleased.You’ll find many people who compare the Popol Vuh to the Bible, and at first glance it’s easy to see why (especially if you are a Western reader steeped in a culture of Christianity and Biblical stories.) There are a number of really fascinating similarities, and it can be fun to read the Popol Vuh from this viewpoint. That said, PV in whole is really nothing like the Bible. I think it makes more sense to approach it as being a bit more like Greek mythology, where stories of the adventures of the gods, demigods, and first humans are told. We learn how the world came to be, but also get exciting stories about fooling the demons of the underworld or getting animals to take pity on a poor girl and do her farm work for her or talking heads that grow on trees. It’s fantastical, and fun, and it inspires. Considering how incredibly ancient these stories are (millennia older than the Bible and the Odyssey) they’re truly precious.I was lucky enough to read Michael Bazzett’s new translation of the text, which is a delight. I’d recommend it to anyone. He preserves not only the beating heart of each story but the very sound in his word choices, giving the Popol Vuh a beautiful rendering here. It reads as though English was the original language, and I believe there are linguistic nuances here that are missed in earlier translations. Especially if you will be reading the book for pleasure, I’d definitely suggest Bazzett’s work, as it’s just so enjoyable to lose yourself in.
As a teenager twenty-plus years ago I stood in the ball court of Chichen Itza and climbed its ruins, swam with the flesh-kissing fish in the cenote of Dzibilchaltun where the ancients sacrificially drowned their virgins.That was my first dive into Mayan life, The Popol Vuh translated by Michael Bazett is the second. The same palpable density of history, culture and lore of being in those Mayan places seems to be wrought in the loom of this translation. It maintains a native tone throughout, reading with the grace and confidence of an original work. Deliciously unacademic and free, this first English translation in verse is at home as much on a back patio as in a classroom. There is a strong sense of wonder in this epic creation account while the intensely physical characters convey a cathartic rawness universally beloved of myth.As the sons and daughters of this remarkable people sit in our own American detention centers, there is no better time for a work like this that refreshes the color, restores the texture and humanizes the treasured and etherial woven mat.
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